How death will steal, from life, to claim us all, Happy to wrap us in barbary white, By tapping ash tight fingers, the steel laws of fate, Will deaden our faces, wrapping our feelings from earthly sight.
A rail fence is more than that on a country dawn moving by lots over hill & stone; it barely pauses in the small of the field's lap, then is caught in grey positioning as light unfurls the sky. ...
The leaves lie hidden as spades about their home. Brief movement of a kitten, then silence till the car's engine drones. Close by, a pioneer cemetery sits near a secondary wood. ...
The gathering of dead wood - driven, pinched in faces between the strain of Van Gogh's setting - had all the more realism hastening down that leaden street. ...
The long finger of blackness is holding its head for us. Dingy bue is its shade, comatose in movement, hazarding a slow swiftness, it inches toward us.
* "...the fourth state of water in its plasmic state ... elements as plasmic water have programmed goals which they follow like earth encompassing genies.
Shopping in their heads - a man a pair of shoes right colour (tan, off-white) shape - only good physiques need apply, degree, tall; self-confidence a "must".
The "Haight," in Ashbury lived up to its name. Sexual pioneers became commonplace. Agribusiness consolidated the back to the land movement. Joni Mitchell remortgaged all the tree museums....